The sketches themselves are virtually always conceived during the improvised brainstorms recorded to microcassette. These many hours of stories, commentaries and situations (afterwards copied to CD) make up the tip from which are pulled the wanted materials. These are then dusted down, tidied up, decently re-researched if necessary and properly scripted.

 

The music is also completely improvised. It was also very basic in composition due to my musical limitations. Indeed, it was only for Concept Single 9’s acquisition of a very special piece of MIDI software for the Commodore 64 that the music has continued to improve.

 

For both comedy and music, the rule of thumb seems usually to just do something and then work out what it is I’ve actually done afterwards, making corrections as I go. But for such incompetence it all seems to work nevertheless.

 

 

 

The music and spoken parts are recorded and produced independently and then compiled for a master mix at the end of the work.

 

The only way for a soloist to record a Concept Single is to ‘multi-track’, i.e. to perform each separate musical part in turn and then replay all the pieces concurrently. These sessions alone can often be spread over many working days.

 

In the early days the music was recorded to a Tascam 4-track tape recorder, though back then just four musical parts would be all I wished to put down. The tracks would then be copied to a Fostex 8-track digital recorder onto which the vocal work would be added. Later on the Fostex was used as the sole recorder for all the session work, giving way to a sequencing PC by number 8.

 

Secondary recording sessions then take place in which the scripts are recited, sound effects made and additional musical ‘dabs’ added. These are all edited and compiled, via a PC, to a single mix which is then mastered, in other words polished, solidified or re-edited for the final master mix.

 

 

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POINTS OF INTEREST

 

Homepage

-         ‘Faceplate’ for my recording setup. Music, pictures and information links are included.

 

Johnathan Leftwinger MP

 

-         If he’s doing it with flair then he’s doing it with Labour!

 

 

 

 

A FEW CONCEPT FUNCTIONARIES

 

FOSTEX D90

16 bit, 8-track digital recorder.   

TASCAM 34B

15 ips, 4-track analogue tape recorder.

SOUNDCRAFT M8

     Mixer.    

M-AUDIO DELTA 66

     PC-orientated 24 bit audio interface.

FOCUSRITE PLATINUM PENTA

Sound compressor.   

BEHRINGER TUBE ULTRA-Q

     Valve equalizer unit.

SE2200A

Microphone.    

JBL CONTROL 1

     Monitor loudspeakers.

COMMODORE 64

Composition computer with inbuilt and externally connected MIDI synthesizers.  

MAGIX SAMPLITUDE 7 PROFESSIONAL

     PC-based MIDI and audio multi-tracker software.

PHILIP REES TS1

     Classic synchronizer.