
The sketches themselves are virtually always conceived during the improvised brainstorms recorded to microcassette. These many hours of stories, commentaries and situations (afterwards copied to CD) make up the tip from which are pulled the wanted materials. These are then dusted down, tidied up, decently re-researched if necessary and properly scripted.
The music is also
completely improvised. It was also very basic in composition due to my musical
limitations. Indeed, it was only for Concept Single 9’s acquisition of a very
special piece of
For both comedy and music, the rule of thumb seems usually to just do something and then work out what it is I’ve actually done afterwards, making corrections as I go. But for such incompetence it all seems to work nevertheless.

The music and spoken parts are recorded and produced independently and then compiled for a master mix at the end of the work.
The only way for a soloist to record a Concept Single is to ‘multi-track’, i.e. to perform each separate musical part in turn and then replay all the pieces concurrently. These sessions alone can often be spread over many working days.
In the early days the music was recorded to a Tascam 4-track tape recorder, though back then just four musical parts would be all I wished to put down. The tracks would then be copied to a Fostex 8-track digital recorder onto which the vocal work would be added. Later on the Fostex was used as the sole recorder for all the session work, giving way to a sequencing PC by number 8.
Secondary recording sessions then take place in which the scripts are recited, sound effects made and additional musical ‘dabs’ added. These are all edited and compiled, via a PC, to a single mix which is then mastered, in other words polished, solidified or re-edited for the final master mix.
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POINTS OF INTEREST
- ‘Faceplate’ for my recording setup. Music, pictures and information links are included.
- If he’s doing it with flair then he’s doing it with Labour!
A FEW CONCEPT FUNCTIONARIES
16 bit, 8-track digital recorder.
15 ips, 4-track analogue
tape recorder.
Mixer.
PC-orientated 24 bit audio interface.
Sound compressor.
Valve equalizer unit.
Microphone.
Monitor
loudspeakers.
Composition computer
with inbuilt and externally connected
MAGIX SAMPLITUDE 7 PROFESSIONAL
PC-based
Classic synchronizer.